Best Dressed Ladies At The Critics’ Choice And Other Events

Final week, red carpets weren’t merely surfaces to stroll upon; they have been phases for storytelling. From the crystalline glamour of a Miami screening to the clever, narrative vitality of one in every of award season’s most significant celebrations, celebrities remodeled vogue into residing expression. On the middle of this artistic present stood the Critics’ Alternative, particularly, the Annual Celebration of Black Cinema & Tv, the place daring design met cultural celebration, and the place each outfit felt like a chapter in a bigger story.

Somewhat than merely showing, this season’s model moments spoke. They moved. They breathed. Confidence translated straight into silhouette, whereas craftsmanship unfolded like poetry in movement. Every look felt much less about pattern and extra about identification, woven along with intention, objective, and presence. These weren’t merely garments worn for the digital camera; they have been statements made with readability and conviction.

The Appears to be like

Zoe Saldaña introduced clever vitality to Miami nicely forward of Avatar: The Manner of Water’s arrival in theaters. At a particular screening tied to the movie’s launch, she appeared in a show-stopping Chanel robe from the house’s Spring 2026 collection. The sculptural mermaid silhouette, framed by dense three-dimensional floral appliqués, felt like couture in movement. A deep V-neckline and layered textures created a glance that was concurrently up to date and timeless. It was mushy in its execution, but commanding in presence. Greater than red-carpet dressing, Saldaña’s ensemble functioned as a visible extension of the movie’s richly layered world.

In the meantime, on the Critics’ Alternative Affiliation’s eighth Annual Celebration of Black Cinema & Tv, Teyana Taylor remodeled the purple carpet right into a examine in daring narrative model. She wore a customized Nicholas Oakwell Couture Millicent Hearst robe, anchored by a lace corset and elevated with asymmetrical fringe and complex embroidered detailing that trailed behind her like an unfolding storyline. The look balanced rigidity and magnificence, proving how a garment can really feel each like armor and poetry.

Elsewhere, on the Pink Sea Worldwide Movie Competition closing ceremony, Naomie Harris delivered one of many season’s most unforgettable red-carpet moments. Lighting up the Jeddah carpet, she turned to Saudi designer Tima Abid, carrying a couture creation outlined in contrast and craftsmanship. A shimmering gold sequined bodice captured each flicker of sunshine, whereas a sculptural teal satin skirt flowed throughout the carpet like liquid shade. The outcome was a masterful mix of theatricality and refinement, a second that felt directly cinematic, elegant, and resolutely couture-forward.